Monday, April 14, 2014

34: Dress Form Usage


On November 14, 2013 I received this fabulous message:
The PGM professional dress form
given my school by the
PGM Dress Forms company.  
Hello, this is Brittany Yoseff from PGM Dress Forms, informing you of our New 2014 PGM Dress Form Private Fashion Draping/Sewing School Sponsorship Program!!!

As part of our worldwide sponsorship and for over 10 years, PGM has been giving back to Fashion Educational entities by donating professional Dress Forms to support fashion education and students. Plenty of fashion universities/colleges/institutes have gained PGM donations, including the top 20 Fashion schools in the US, which include: Parsons (The New School for Design), FIT (New York), Pratt, Kent State University, Academy of Art University (San Francisco), Savannah College of Art & Design, Rhode Island School of Design, Drexel University, Otis College of Art & Design, Columbus College of Art & Design, Trade Tech, FIDM and many more!

This New 2014 Private Fashion Draping/Sewing School Educational Sponsorship Program is to enlarge & broaden our Educational Institutions by donating; 1 Ladies Half Body Dress Form to private fashion schools, fashion design classes, sewing classes, draping classes, to help fashion instructors train students as well as to bring fashion industry partnership benefits. For more PGM Dress Form info, please visit: http://www.pgmdressform.com/dress-form-c1/.

So I did. And wonder of wonders, they gave my school a new dress form, shown in this photograph!

This post is to thank the
PGM Dress Forms Company for this fantastic donation and to show some of the ways it is being used at my school.

Here are the ways to date that the school has used the form:
1.  To develop basic patterns.
2.  To drape out and test design concepts
3.  To test and correct a commercial blouse pattern’s fit
4.  To check pattern corrections


1.  To develop basic patterns:

Paper patterns can be developed right on the form.
Students watch as I demonstrate draping pattern paper on the form to
create a size 8 basic pattern.
The paper is laid over the form and pinned, the darts folded into place,
and the neck and waistline clipped.











2.  To drape out and test design concepts
 
One of the students is interested in the Japanese pattern sculpturing.  On the left a tea bag box was taped to the form. Fabric was then draped over it to give the effect. To produce the same effect in finished clothing, the sleeve would need to be lined with firm, light-weight stiffening.
 
On the right lace is laid over the form to begin the process of designing a wedding dress.
 
 
 
 
 
 
I will post in the near future how to use a professional form to
3.  Test and correct a commercial blouse pattern’s fit
4.  Check pattern corrections


Note: Registration is open for Contemporary Fashion Education fall courses. If you plan to take a course, please sign up now as the classes are already half full.
Books used in the program are also available for sale. All procedures in the program and its books are as done in high-end industry.


Laurel

 



 P: 215 884 7065
 
©Laurel Hoffmann, 2014, all rights reserved.
 




Wednesday, April 2, 2014

33: Starting a Clothing Factory

Cutting is an extremely dangerous process.
Computerized factories use laser to cut the
fabric, eliminating much of the danger.
Cutting can be contracted out to cutting
factories.
Want to know what is involved in running a clothing factory? 
Ever think about starting one?
Here's some information about that.

Start up finances:

You will need at least $90,000, probably more that you can afford to lose.

Essential personnel:

Factory supervisor
Accountant
Production patternmaker/technical designer to draft patterns
Sample maker/forelady to train and supervise sewing
Factory workers
  Cutters
  Sewing machine mechanic
  Operators
  Packers

Clothing production:

1.   Line assembly relies heavily on hierarchy with each person assigned a task or tasks. Most know only the task they perform. Most factory personnel do not understand the process from start to finish. There are various methods used to produce patterns and to sew garments. Most home sewing and custom methods cannot be used in the industry.

Industrial methods can best be described as low-level engineering. Patternmaking must be to 1/32 of an inch, sewing to 1/16 of an inch. Grade rules determine the fit throughout a size range. Patterns must be drafted to the grade-rule measurements. Sewing must be sewn on gauge to maintain the grade-rule fit and the customers’ fidelity.

2.  
The steps in the process vary, depending on the type of garment being manufactured.

3.   Sewing skills vary from person to person and from factory to factory. An operator may be proficient at setting sleeves, but not know how to set a collar. A patternmaker may not be able to sew samples, a sample maker may not be able to draft patterns.

4.   Factory personnel (and design room personnel, once out of college) learn their trades by oral tradition. Books aren’t used. No one sits in a class. The instructor (usually the forelady) sits by the new trainee who observes, learns, and memorizes the sewing procedure.

A newly hired sewing machine operator is first instructed how to sew on gauge. The instructor gives the trainee strips of fabric to sew on gauge. The trainee then practices alone until proficient - about an afternoon’s length of time.

After learning gauge sewing the trainee is taught the easiest step in the manufacturing/sewing process. Once the second lesson is learned – usually within an hour or so, the trainee is now sewing on the line. It’s possible for one instructor to train as many as 10 new seamstresses at a time.

5.  
Before a clothing style is sent to the factory every detail must be tested and written down in the designing department, then checked and rechecked for possible error. These instructions are sent with the patterns to the factory. The factory follows these procedures to the letter, conferring with the designing department when necessary.  Factories are often required by independent designing departments to first make a sample for approval before being given the OK to manufacture the garment. Several factories may bid on the contract, each sending in a sample as part of the bidding.

Design room procedures include: designing the type of clothing to be made, drafting the patterns, making samples, and grading the patterns.  A set of graded patterns, a pattern check (sample garment cut and sewn from the sample size) a Cutter’s Must list (of the pieces that make up the garment) and markers (layouts) are sent to the factory.  Some of this may be digitized if the factory is computerized.

Designing departments cut and sew sample garments. If the company also has a couture line, those garments may also be cut and sewn in the designing department. But this is unusual.
 
6.   Every step of the sewing operation is timed. Union operators are paid a base amount per hour regardless of how many pieces they sew. If they sew more than the minimum amount of pieces they are then paid extra. Most operators exceed the minimum number of pieces expected in the time frame given for those pieces.  Careful recording of each operator’s output is kept. If the excess exceeds a certain number then the number of minimum pieces required before the operator will be paid extra may be increased. An industrial machine does one type of operation only.

7.
  
If a factory switches to another clothing style new machinery may be needed. An industrial sewing machine costs from $1000 used, up to $10,000, maybe more. For this reason and many others factories specialize in particular types of clothing. Any change in production often requires relocation of machinery as speed is essential.  Since machinery is bolted down to the floor, even that small a change requires financial justification.


8.   Mass-production produces huge quantities of clothing.  Factories traditionally  cut 1000 garments at a time, although small shops may cut as few as 500 at a time.  A shop of 80 seamstresses can produce 450 or more lined sleeveless jumpers with back zippers and ties in a day. A sample maker can sew 6 in one afternoon.  

A T-shirt takes 5 minutes to sew. If the factory operates 6 hours a day, 5 days a week, each operator can produce 72 shirts a day, 360 a week. A small factory of 10 operators can produce 3600 T-shirts a week.

 Small orders of 20 or 30 garments must be combined with many other small orders if a factory is to be profitable. Most factories need to produce generic, average sized clothing for a national market if they are to be successful.                         

9.  
Pricing is determined by cost of materials.

Estimated cost to produce a $30 T shirt

60 inch knit fabric – wholesale – 1 yard          $3.00
         Ribbing – wholesale – 22 inches                          .50
         Thread                                                                .50
                                                                        4.00 (40% of total costs)
                                                                        6.00 residual costs
                                                                      10.00 wholesale price

                                                          X 3     $30.00 retail price
 
10.  Costing must allow for seconds, possible theft, cancelled orders, and charge backs. It’s well known in the industry that if 1000 garments are sent down the line and 1000 come off, the garment is not going to sell in the stores.

…when…[Liz Claiborne, Inc.] …when public in 1981 it reported net income of $10 million on sales of $117 million.

New York Times Business, February 5, 2014, page B10.
 
This highly successful company was making less than 10% net
profit. The company was manufacturing in Hong Kong.

Suggested brief evaluations to determine if a project is feasible:

1.   Survey a selected small typical group of potential factory workers whom you hope to train - maybe 10. Keep a chart of the answers.

     a.    Ask if they have ever sewn.

     b.    Ask if they would be interested in sewing in a small factory.

     c.    If they are interested, have them sew fabric strips on gauge on a basic industrial sewing machine (industrial, single-needle, straight-stitch machine with a bobbin.)

     d.    If they are still interested, have them sew a few muslin samples, such as a mock up sleeve set or collar to determine if they have hand dexterity, or can develop it.

2.   Evaluate the machinery available. One must look carefully at what machinery is needed for suggested projects and then try to choose projects that can be sewn with existing machinery. Most industrial sewing machines do one operation. Some can be switched to additional operations, but a mechanic must do this.

3.   Write a brief business plan that sets up the proposed product’s manufacturing procedures. Look carefully at what machinery is needed for suggested project(s), then try to choose projects that can be sewn with existing machinery.

a.    Write the step-by-step procedure required to sew the garment. List the machinery needed to do each operation, availability, & cost of that machine.

For example: a T-Shirt from a reputable mail order company

1.    Hem pocket with cover stitch machine

2.    Sew pocket to front shirt with single-needle lockstitch machine

(a basic straight –stitch sewing machine with a bobbin)

3.    Lockstitch the shoulder

4.    Lockstitch neckband closed

5.    Cover stitch neckband

6.    Band back neckband and shoulder – probably a cover stitch machine

7.    Set sleeves with cover stitch machine

8.    Mock-stitch side seam/sleeve seam

9.    Hem body and sleeve with cover stitch machine

b.    If making the proposed garment looks feasible, list the machinery needed and its cost

Machinery needed to make the T-Shirt:

1.    Lockstitch (straight stitch machine with bobbin)

2.    Cover stitch

3.    Mock-stitch (4-thread overlock – NOT a safety-stitch)

4.    A fourth sewing machine may have been used to finish the shoulder seams – there are so many different types of industrial sewing machines, I can’t be sure.

c.    To make sure manufacturing this garment will be profitable add:

1.    Layouts with yardages

2.    Cutters Must list of all fabric pieces

3.    Time chart for sewing each step of operation

4.    Cost sheet

4.   Determine whether there are national markets for this clothing.  Reps wholesale garments to stores throughout the USA. Asking a rep if the product will sell nationally may yield valuable information about the validity of this project. At least one rep, probably more will be needed to market the clothing, as they serve different regions throughout the USA. They often represent more than just one manufacturing company. Since they work on commission, it’s in their interest to sell as many garments as possible.

Attending a trade show at the Javits Center in NYC will also yield information about the feasibility and market for the intended garments. Some reps sell clothing for several manufactures at trade shows.

Other factories are competing for work. The industry does not copyright most garments. What matters is marketing and price competition: getting something new on the market first and keeping the price below the competitor’s.

Any garment can be copied and off a competing factory’s line within a week. Price matters to the consumer. Companies often compete by reducing their product’s wholesale price by $.50 ($1.50 retail). This is enough to put a small startup out of business overnight.  Reps have been known to take a product to another company and ask them to produce it at a lower price.
 
  

Laurel

 

 P: 215 884 7065
 
©Laurel Hoffmann, 2014, all rights reserved.