Monday, January 18, 2016

53: WINNERS - CLOTHING-TEXTILES-PA FARM SHOW

The Pennsylvania Farm Show celebrated its 100 year last week with a packed house of visitors. Although it meant squeezing through crowds, and walking what seemed like miles, I managed to find my way to the clothing and textiles exhibits. Below are pictures of the top prize winners.

Quilts:

This hand-sewn quilt is truly remarkable.
I don't even want to think about how many
hours Ms. Koontz needed to make it.
What an achievement!








Each entry had an identification. This is Ms. Koontz's.




Ms. Jennifer Feicht's quilt


Ms. Feicht machine quilted the quilt on the right.














Isn't Ms. Courtney Hess' quilt adorable?





Note that Ms. Hess is entered in the youth class.

Clothing:

Ms. Katie Kreider's dress
won in the 4-H Senior Textile Science
division. Ms. Kreider is from
Lebanon County, PA.



.

Ms. Natalie Sensening won in the
Fashions With a Flair, YOuth & 4-H division.
Ms. Sensening is from from Lancaster County.
  

Ms. Sensening's placard



















Beautifully knitted, it's no wonder
Ms. Joan Demko won the top prize
for her hand knitted sweater.

Ms. Demko's placard




Ms. Warden's pretty handbag looks very practical.






Ms. Warden's placard


Children's clothing

Ms. Murray's placard


Ms. Delores Murray won, with good reason, for this
child's dress and matching American Girl doll dress.
Ms. Brubaker made this adorable little girl's dress.

The show also had demonstrations. 

Here Janet demonstrates spinning at the Fiber Arts and Education exhibit. To see her in action, hit this link.

 
Choose what you wish to learn - and/or take part or all of her program 
 

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Phone: 215 884 7065
© Laurel Hoffmann, 2015. All rights reserved.
All material on this blog is copyrighted by and is the exclusive right of Laurel Hoffmann

52: MORE DOWNTON ABBEY CLOTHING FROM THE EXHIBIT

As promised, here are more pictures of clothes from the Downton Abbey Winterthur Exhibit.

The clothing was on view, without any barriers whatsoever, so close it could have been touched. Pictures of the actors wearing the clothing with explanations sat near the clothing. Guides walked about, ready to answer any questions at the well-attended exhibit. Winterthur is an elaborate estate with many servants that in its day was easily the equivalent of Downton Abbey, probably the reason Winterthur was granted the right to display the clothing.

I love this picture of the actors. They are obviously enjoying their roles.
Note their stiff clothing, which reflects the stiffness of the era. 

Here is pretty Cora, dressed as always in something truly lovely.




While the descriptions helped with understanding the clothing, being able to photograph the garments up close meant I can now show you some of the design and sewing details of the clothing.





Here is a detail of the dress.







 The sewing is exquisite.  

Although many dresses are crated especially for the show, they often incorporate pieces of fabric that are decades old.  

Emma Rowley, author of Behind the Scenes at Downton Abbey, page 157, ISBN 978-1-250-04790-8 (hardcover) ISBN 978-1-4668-4825-2 (e-book). 
Below are details from both Cora and Violet's coats, shown in this composite.


Detail from Cora's coat
Detail from Violet's coat

Downton's wardrobe room at Ealing Studios...is overseen by Caroline McCall, the show's Emmy Award-winning costume designer.
...While many items are found at vintage fairs or are hired from costume houses, much is created for the show. McCall explains: 'It's incredibly difficult to find enough clothing from this period; the fabrics are so delicate that they've perished. Also, because this look was fashionable in the Seventies, they are just not around any more.'

Behind the Scenes at Downton Abbey, page 154.


 



Men's clothing was well displayed at the exhibit. The clean lines and beautifully tailored fabrics are obvious even in the photographs.
The Philadelphia Cricket Club is active here in Chestnut Hill, Philadelphia
Cricket isn't on the list of activities offered at the Philadelphia Cricket Club.

Violet's gown is so beautiful, with such rich detail, that I took a number of shots, seen below.

Note the re-embroidered lace in the sleeve.
The dress was cut from exquisite fabric.

The sleeves, waistband, and center front detail



 
The full view of the dress

I must include the dress worn by Shirley McLaine. I wish she would be in the show more often. What a riot when she appears! :-))


The information about Ms. McLaine's dress

The dress
 

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Phone: 215 884 7065
© Laurel Hoffmann, 2015. All rights reserved.
All material on this blog is copyrighted by and is the exclusive right of Laurel Hoffmann with the exception of material copied from Behind the Scenes at Downton Abbey, by Emma Rowley, ISBN 978-1-250-04790-8 (hardcover) ISBN 978-1-4668-4825-2 (e-book), and the copy in the photographed presentations from the Winterthur Downton Exhibit.

Friday, January 8, 2016

51: WINTERTHUR’S DOWNTON ABBEY CLOTHING EXHIBIT

Costumes from the popular television show,
Downton Abbey
were on exhibit at the Winterthur
Summer dress, Edwardian, for lady Sybil Crowley,
played by Jessica Brown Friday.
Worn in Season One (1912-1914)
 Summer dress and hat for
Lady Mary Crawle, played by Michele Dockery.
 Worn in Season One (1912-1914)

Description is from the Winterthur website.
Below is a description and a close up of the fabric.
Museum from March 1, 2014 through January 4, 2015. The museum is located on one of the DuPont estates. The estate is located at 5105 Kennett Pike (Route 52), Winterthur, DE 19735, an easy drive south down Route 1 from the Philadelphia area.

I understood from the museum guides that the  the Winterthur Museum was the only location in the USA where the clothing was displayed.

According to Winterthur's website, "Costumes of Downton Abbey" was an original exhibition of exquisite designs from the award-winning television series. Forty historically inspired costumes from the television show were displayed and supplemented by photographs and vignettes inspired by the fictional program and by real life at Winterthur so visitors had the chance to step into and experience the world of Downton Abbey® and the contrasting world of Winterthur founder Henry Francis du Pont and his contemporaries in the first half of the 20th century.

The costumes were lent by Cosprop, the world’s leading costumier to film, television, and theater. Winterthur’s most popular exhibition, Fashion in Film, which attracted more than 42,000 people over its three-month run, also featured costumes by Cosprop.” 
The description and close up of Sybil's summer dress.

Below is the description and a close up of the work on this dress, .
Description and close up of the dress shown above this description. Throughout the exhibit descriptions with photos of the clothing were placed by the actual clothing. There were no barriers. One could have easily reached out and touched any of the clothing on display, although no one did. 

In this picture Lady Mary holds her new niece, Baby Sybil. The dress she is wearing is shown below.

Lady Mary's dress,. Lady Mary is shown wearing the dress in the picture directly above.



Here is considerable information about ties. The attention to clothing detail in this show is truly amazing.

The tie, close up. On the left is a picture I took of the
actual suit and tie. On the right is a pscture and description that was with the outfit in th exhibit.

A few words about corsets

More about corsets

Will post more Downton Abby pictures from the exhibit in the next post.

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Phone: 215 884 7065

© Laurel Hoffmann, 2015. All rights reserved.
All material on this blog is copyrighted by and is the exclusive right of Laurel Hoffmann with the exception of material copied from the Winterthur website, as is noted on this post.

Saturday, August 1, 2015

50: READERS' QUILTS

Everyone seems to be quilting these days.

Cynthia made this quilt for her daughter
 from her T-shirts.
In POST 47: QUILT I presented my grandmother's quilt and its history. 

Quilts are good examples of the different ways people see the world, and how their views are reflected in their quilts and other art work.

That is why I am devoting this post to a presentation of readers' quilts. I invite you to send pictures of your work to my e-mail address so I can publish your pictures and information. 

Please include an explanation of the quilt, who received it, and any other facts about it. I normally only publish the first name of any one that I mention on the net. I will stay with that policy unless a reader prefers otherwise. 

This is the back of Cnythia's daughter's quilt



Cynthia just finished this quilt for her son.



















Quilts are highly personal. Years ago the Philadelphia Art Museum had a show that featured African American quilts. I was stunned by what I saw and read. I had seen much African American art as I had grown up on a farm where I lived among African Americans. But I have never seen an assembled collection of their art before or had it explained to me. For example: the quilts were sewn to cause the squares to bubble, so as to catch the spirit, something that was unheard of in my white society. At this show I learned just how differently people who live right next door might see the world and think about things.


Laurel

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 Phone: 215 884 7065


© Laurel Hoffmann, 2015. All rights reserved.
All material on this blog is copyrighted by and is the exclusive right of Laurel Hoffmann with the exception of Cynthia's and other readers' photographs of their quilts.

Saturday, July 25, 2015

49: SAFETY-STITCH SEAM PROBLEMS

Whether or not you sew, knowing something about sewing makes one a better shopper. This post is about why it's important to take a look at the seams when trying on clothing in the stores. The post discusses safety-stitching, how/why it is used to manufacture garments, and problems that one might encounter in garments made with this method of construction.


Safety-stitching sews the seams
and finishes the edges in one operation.
If the seams breaks, the overcast edge will prevent the
garment from opening, which is why it is called a
safety-stitch.

Below is some information about how safety-stitch seams are sewn. Safety-stitching is a very fast way to sew seams as seams are both sewn and overlocked in one operation. These machines make it possible for industry to sew garments, such as t-shirts, together in 5 minutes or less. An advantage of safety-stitching is that if the seam breaks, the overcast edge will prevent the garment from opening, hence the name safety-stitch.

Safety-stitching is a good choice when sewing bias garments because the stitching has considerable recoverable stretch. But safety-stitching is much more often used to produce garments that are best described as cheap. 

Although operators overseas have tremendous hand-skills and can sew at the speed of lightening, they must sew as they are told. Manufacturers want to make as large a profit as possible. Here in the USA we pay top-dollar, often for inferior products. These products are made by overseas operators who get paid very little to produce garments that are often very poorly made. Everyone looses.

When one discovers that a sewn garment has flaws it needs to be returned to the store. The store then returns the garment to the factory, as this is the factory's problem. It is important that we return inferior products. If we accept inferior products that is what the factories will make. 


1: Lockstitch sewing machines have bobbins.

1: Lockstitching is produced by sewing machines that have bobbins (diagram 1).

Lay people usually call lockstitching straight stitching, Straight stitching is a term that can be applied to a number of straight stitch types, the reason the industry uses the term lockstitching.

2: Overlock sewing machines have loopers.
Home sewers call overlock machines sergers.
2: Overcasting and chain stitching are produced by overlock sewing machines that have loopers (diagram 2).

3: Safety-stitching with a lockstitched seam. 
Safety-stitch machines sew the seam, while 
simultaneously overcasting the edge of the 
seam This is a good choice when sewing woven
fabrics, but not when used to sew knits as it is 
unlikely that the lockstitched seam will have 
as much stretch as the knit fabric, and therefore
the lockstitched seam may break fairly easily.
4: Safety-stitching with
 a chain seam, the better choice 
when sewing knit fabrics


3. Safety-stitch machines sew the seam, while simultaneously overcast the edge of the seam (diagrams 3 and 4).

4. Some safety-stitch machines sew the seam with a lockstitch. These machines have a bobbin  (diagram 1) that interacts with the machine’s needle as the seam is sewn. They also have a looper  (diagram 2) which interacts with a second needle to simultaneously overcast the edge of the seam (diagram 3).

Safety-stitch machines that sew their seams with lockstitching are a good choice for sewing woven fabric at top speed. But they are a poor choice when used to sew knits. The lockstitched seam will not stretch with the knit fabric, often causing the seam's thread to break.

Chain stitching requires slightly more thread than lockstitching. That is why manufacturers may try to save a little money by sewing knits with these machines. The little bit of thread saved adds up when multiplied by a thousand garments.

5. Other safety-stitch machines sew the seam with a chain stitch. These machines have a looper that interacts with the machine’s needle  as the seam is sewn. They also have a looper which interacts with a second needle to simultaneously overcast the edge of the seam. These machines are a good choice for sewing knit fabric because both the chain stitching and the overcasting provide stretch. The stitching is compatible with knit fabric (diagram 4).


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Phone: 215 884 7065

© Laurel Hoffmann, 2015. All rights reserved.
All material on this blog is copyrighted by and is the exclusive right of Laurel Hoffmann.